The Zikar classes in the early days

During the Zikar classes first given in London, then in Wiasous and also later at the Harras de la Tuilerie, before even becoming part of the Summer School program in Sureness, Murshid always insisted very much on the importance of creating a strictly respected rhythmic impulse as a fundamental principle to be adopted in a Zikar practice.
Murshid explained so often that the main object intended by basic rhythmic patterns, also called Talas, is to obtain a perfectly harmonised co-ordination between various disciplines, such as the breathing techniques, the rotation movement, the voice register and the regularity of the chanted or recited repetitions of the scared words of the Zikar, "LA EL LA HA, EL AL LA HU.’1
"Some mureeds could not always understand the mystical values of self- conditionings, such as discipline or rhythmic continuity throughout an esoteric practice, and this did upset Murshid profoundly; which also does explain why so many indications were given on that particular subject in the various Githas, Sangathas, Sangithas and also in Murshid’s private note-book, with the hope that future generations would be more open to the instructions which he had thereby given.
In the later years, a tambura and an Indian sitar were utilized during the Collective chanting of the Zikar, insuring thereby that all the voices were constantly harmonised to a given pitch throughout the entire practice. The rhythmic cadence was guided extremely accurately by a mechanical Maenzel metronome.
After the Zikar class, and on Murshid’s own request, all went home silently. Several mureeds even took the firm resolution not to speak until the next morning.



Bowl of saki

15 Nov Wisdom is not in words, it is in understanding.

Vadan

Woman is woman, whether in the East or in the West.

Reflection

How few realize that the heart is like a dome, within which all, whether good or bad, re-echoes, creating thereby either uplifting or disturbing influences that become in time the characteristics of one's own personality. The finer the go, the less disturbing it is to others, although life's trials become much harder to endure. A thorn does not harm its likeness, but it can destroy the frailty of a delicate rose. Nevertheless, life is better lived as a rose, with its inspiring colour and fragrance, than as a thorn among other thorns. This is what is understood as the art of personality.

Latest articles

Tags

Archives